Now I know Kick Ass is an Icon book, and that
Millar couldn't get away with this sort of thing in a regular Marvel book, but this is the kind of high octane, over the top violence that screams
MARVEL at me. It's the stand out panel in a book that is pacey,
punchy and packed with action. It's drawn by Marvel legend John
Romita Junior who crams every brutal panel with energy and movement. And, most
importantly, it's a smart,
wisecracker of a story, which is just the way Marvel comics should be.
To be fair, there are writers working in the mainstream Marvel Universe who understand that
Marvel's books should be the comic equivalent of amphetamine. Matt Fraction for one. The first two issues of his
Invincible Iron Man book have been top quality. There's no fucking around here, Iron Man gets on his suit and blows things up.
Open up issue two and you get Iron Man tackling M.O.D.O.G.
* and his goons on the first two pages. No nonsense, no preamble, just bang, bang, bang. Like Kick-Ass, this is mighty Marvel action that barely lets up from start to finish. In short, it's a brilliant Marvel comic with which I have just two gripes...
GRIPE 1: the moment Fraction introduces this lot...

..you know they're all going to die. I'm not spoiling anything by saying that, it's just a fact. Anyone reading this issue will look at that panel and know
instantly that this team are being set up as cannon fodder. There's an argument for saying that this is deliberate, but I don't think it is. Either way it's hardly a shock when they get wasted.
GRIPE 2: Oh God, please no! Not the dreaded rainy comic book funeral scene...
Sheesh.
Listen though, forget those gripes, they don't really matter. This is a great comic.
So that's my two favourite books of the week out of the way, what about the rest? Well I enjoyed Vertigo's
House of Mystery #2 a lot. Regular readers (hi mum!) will know that I loved this title when I was a kid, so buying the relaunch is a no
brainer for me.
Sentimentality aside though, I have to say that I like this new version a lot. The central story has a bit of the same vibe as LOST about it, while the short stories that you'd associate with the original House of Mystery remain true to T.H.O.M. spirit. It all makes for a respectful take on a classic DC title, and I look forward to seeing where it goes from here.
Elsewhere, props go out to
Amazing Spider-Man artist Marcos Martin who is drawing the
bejesus out of
Spidey in the latest arc. I think this is the first time I've seen his work, but it really is special. I'd call it a cross between John
Romita Junior and
Darwyn Cooke with a dash of Ditko for good measure. The man is clearly going to be big star (Best cover since the relaunch by the way).
*Mental
Organism
Designed
Only for
Genocide

lol