On the list this week, or last week as I suppose it is now...
Thunderbolts #114, Spider-Man and the Fantastic Four #2, Tales of the Unexpected #8, Guy Ritchie's Gamekeeper #2, Marvel Zombies Dead Days one shot, Comics gone Ape and 2000AD #1536
I swerved Countdown #51 and remain determined not to get hooked into World War Hulk either.
So, where to start. Well I guess Marvel Zombies Dead Days is as good a place as any. I loved the original mini series and the Millar scripted Ultimate Fan 4 crossover arc but this prequel isn't great chiefly because it seems that Robert Kirkman's heart isn't really in it.
The great thing about the original was the vein of dark humour that ran through every page. That sick sense of fun is missing from this one shot which is a wholly pessimistic affair and less enjoyable as a result.
Sean Phillips' art is still nice to look at and we get another pretty Arthur Suydam cover to savour (this one's based on Jim Lee's X-Men #1) , but overall this is a bit of a let down. It'll still sell bucketloads and no doubt we haven't heard the last of Marvel Zombies, but super-hero zombies need to be fun to work and sadly there isn't a great deal of fun to be had in Dead Days.
Spider-Man and the Fantastic Four is much better. I wish Jeff Parker was doing The Ultimate Fantastic Four, because this book is everything that the Ultimate title should be but isn't. It zips along at a nice pace, doesn't get bogged down in unnecessary dialogue and most of all it's fun.
I've said it before, but I think Parker really gets Spidey. Reading this it's clear that he also understands the FF too. An excellent writer whose stuff I must make it a mission to read more of.
Gamekeeper #2 continues to read like the comics version of an X-Box shooter. Didn't feel that the second issue quite matched up to the promise of the first and there were several moments of clunky dialogue this time out, but it's still an enjoyable read and is different enough to some of the other stuff out there to keep me on board for the duration.
Tales of the Unexpected #8 winds up a mini-series which I was only buying out of a misguided sense of nostalgia for I Vampire who features in the Doctor 13 back-up story. I stopped reading the main Spectre story after issue 1, but Dr 13 was a smart piece of DC weirdness which read more like a Grant Morrison story than Brian Azarello's normal stuff.
I guess the main problem with Thunderbolts is that as fun as it is watching a team of bad guys being sponsored by the US government to take down good guys, we're never going to be allowed to see them tackling any A listers. I don't mind that too much, and #114 is another enjoyable beat-em-up featuring a selection of heroes direct from the Appendix of the Handbook of the Marvel Universe. But for this book to really deliver the goods we need to see the Thunderbolts messing up one of the big boys. Bring on Spidey v Norman Osborn I say.
Showing posts with label Thunderbolts. Show all posts
Showing posts with label Thunderbolts. Show all posts
Monday, 14 May 2007
Friday, 13 April 2007
The Weekly Shop #6
I've recently discovered Back Issue, a bimonthly magazine for nostalgiaholics from TwoMorrows Publishing. It's a cracking read jammed full of features on the comic creators of the silver and bronze age. I was reading an interview with Sal Buscema and Steve Englehart from issue #20 yesterday in which they reminisce about their classic run on Captain America.
It's clear that these boys had it a lot tougher than their modern day counterparts, as Englehart says: The famous thing Roy Thomas said to me when he hired me was, "If you can turn this in on time and make it sell, you can keep doing it. And if you can't, we'll fire you and get somebody else."
Englehart admits that he had no idea where he was going from one issue to the next, but he was never late. Ditto Buscema who worked on several titles at once: "I may have been doing two or three issues a month at that time, maybe even more" he says.
Now I don't want to imply that old comic creators are good and new comic creators are bad, because its clear that some very fine comic creators are plying their trade today, but there must be a lesson to learn from the old school - particularly the artists - who met their deadlines.
I mean does anyone out there remember what's happening in the Ultimates? A book which has been rendered unreadable by its ridiculous delays. Or Astonishing X-Men? Another one which I still buy but have given up reading until the run is done. Or All Star Batman, when the hell did the last issue of that come out?
At least All Star Superman, which turned up this week after a three month hiatus, is built on stand alone stories. That makes it more palatable, but it would still be better if the darn thing shipped on time!
Anyway, ranting aside, it is good to see All Star Supes again. Despite being notoriously slow Frank Quietly is one of my favourite artists and his work with inker Jamie Grant makes this comic one of the nicest looking books out there.
Enough has been said elsewhere about Grant Morrison's homage to the weird world of silver age superman, so I won't burble on too much about his scripts. Suffice to say it's good to see Superman going back to his wacked out roots in a book which should delight kids as much as it does adults dosed up on class A's.
Even with a guest appearance from Bizarro, All Star Superman isn't my book of the week though. That's because my two favourite mainstream Warren Ellis comics also hit the shops.
Thunderbolts #113 is another knockout issue. Ellis's take on Norman Osborn is superb, a man so utterly, utterly mad that even the psychos in the team he oversees are worried about his state of mind.
Not for the first time, the latest issue features Green Goblin on the cover.
Bit of a cheat since Osborn hasn't gone goblin yet, but hopefully it's only a matter of time.
The other Ellis book is of course New Universal #5. I heard somewhere that despite a leap in reader numbers over the first couple of issues that sales figures were declining on this one now. I know this happens with the majority of new titles, but I had hoped this book would continue to pick up readers because its an honest to goodness piece of comic excellence.
The latest issue introduces Emmet Proudhawk, a native Indian shaman who also works for the CIA. As with all the other main players he appeared in the original New Universe.
Like all Warren Ellis's work, New Universal crackles with intelligence. Even if you don't like Salvador Larocca's celebrity smattered art (and I do by the way) then you should be picking up this book.
I Also picked up Tales of the Unexpected #7. As per usual I made a vague attempt at reading the Spectre story, but it really was too horrible and I soon found myself heading for the the DR 13 backup which rivals All Star Superman in the weird and wacky stakes.
This months highlight: an awesome panel in which a flying pirate ship stops to ask directions from a bunch of skyscrapers...
Surreal comic brilliance.
2000AD is getting more enjoyable as I pick up the plot of the various ongoing story lines. This week's issue featured a decent little Future Shock story and some nice Ezquerra work on Judge Dredd
Sass is the word mutie!
I understand that the mammoth Dredd origins story which is currently running has fallen prey to delays because Ezquerra has had trouble meeting deadlines. That contradicts what I was saying earlier and shows that even old school greats miss deadlines. To be fair to Ezquerra though he is pushing 60, so I think he has more excuse than some of the young guns at Marvel and DC.
2000AD Extreme features a bunch of Dredd stories culled in the main from the 1980's annuals. Again there's some terrific Ezquerra art on display here in a story from the 1983 annual in which Dredd confronts a gallery of his most notorious villains. Notorious Dredd villains drawn by Ezquerra = Thrill power overload...
The only disappointment of another otherwise excellent edition is the cover which isn't one of Brian Bolland's better efforts. Considering that 99.9% of Bolland's artwork is godlike in its genius, the powers that be should be showered with rigelian hotshots for coming up with a rare dud from the master.
It's clear that these boys had it a lot tougher than their modern day counterparts, as Englehart says: The famous thing Roy Thomas said to me when he hired me was, "If you can turn this in on time and make it sell, you can keep doing it. And if you can't, we'll fire you and get somebody else."
Englehart admits that he had no idea where he was going from one issue to the next, but he was never late. Ditto Buscema who worked on several titles at once: "I may have been doing two or three issues a month at that time, maybe even more" he says.
Now I don't want to imply that old comic creators are good and new comic creators are bad, because its clear that some very fine comic creators are plying their trade today, but there must be a lesson to learn from the old school - particularly the artists - who met their deadlines.
I mean does anyone out there remember what's happening in the Ultimates? A book which has been rendered unreadable by its ridiculous delays. Or Astonishing X-Men? Another one which I still buy but have given up reading until the run is done. Or All Star Batman, when the hell did the last issue of that come out?
At least All Star Superman, which turned up this week after a three month hiatus, is built on stand alone stories. That makes it more palatable, but it would still be better if the darn thing shipped on time!
Anyway, ranting aside, it is good to see All Star Supes again. Despite being notoriously slow Frank Quietly is one of my favourite artists and his work with inker Jamie Grant makes this comic one of the nicest looking books out there.
Enough has been said elsewhere about Grant Morrison's homage to the weird world of silver age superman, so I won't burble on too much about his scripts. Suffice to say it's good to see Superman going back to his wacked out roots in a book which should delight kids as much as it does adults dosed up on class A's.
Even with a guest appearance from Bizarro, All Star Superman isn't my book of the week though. That's because my two favourite mainstream Warren Ellis comics also hit the shops.
Thunderbolts #113 is another knockout issue. Ellis's take on Norman Osborn is superb, a man so utterly, utterly mad that even the psychos in the team he oversees are worried about his state of mind.
Not for the first time, the latest issue features Green Goblin on the cover.
Bit of a cheat since Osborn hasn't gone goblin yet, but hopefully it's only a matter of time.
The other Ellis book is of course New Universal #5. I heard somewhere that despite a leap in reader numbers over the first couple of issues that sales figures were declining on this one now. I know this happens with the majority of new titles, but I had hoped this book would continue to pick up readers because its an honest to goodness piece of comic excellence.
The latest issue introduces Emmet Proudhawk, a native Indian shaman who also works for the CIA. As with all the other main players he appeared in the original New Universe.
Like all Warren Ellis's work, New Universal crackles with intelligence. Even if you don't like Salvador Larocca's celebrity smattered art (and I do by the way) then you should be picking up this book.
I Also picked up Tales of the Unexpected #7. As per usual I made a vague attempt at reading the Spectre story, but it really was too horrible and I soon found myself heading for the the DR 13 backup which rivals All Star Superman in the weird and wacky stakes.
This months highlight: an awesome panel in which a flying pirate ship stops to ask directions from a bunch of skyscrapers...
Surreal comic brilliance.2000AD is getting more enjoyable as I pick up the plot of the various ongoing story lines. This week's issue featured a decent little Future Shock story and some nice Ezquerra work on Judge Dredd
Sass is the word mutie!I understand that the mammoth Dredd origins story which is currently running has fallen prey to delays because Ezquerra has had trouble meeting deadlines. That contradicts what I was saying earlier and shows that even old school greats miss deadlines. To be fair to Ezquerra though he is pushing 60, so I think he has more excuse than some of the young guns at Marvel and DC.
2000AD Extreme features a bunch of Dredd stories culled in the main from the 1980's annuals. Again there's some terrific Ezquerra art on display here in a story from the 1983 annual in which Dredd confronts a gallery of his most notorious villains. Notorious Dredd villains drawn by Ezquerra = Thrill power overload...
The only disappointment of another otherwise excellent edition is the cover which isn't one of Brian Bolland's better efforts. Considering that 99.9% of Bolland's artwork is godlike in its genius, the powers that be should be showered with rigelian hotshots for coming up with a rare dud from the master.
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